The "Eleven in '11" series is all about those favorite things we all have. Be they things small or large, simple or expensive, important or humble. Whether they're things bound or fitted, wrapped in steel or a pashmina, living and breathing or centuries still. If it's a favorite thing, we can't help it (and we don't care) if it means nothing to someone else. It's a you thing and it's a me thing when it comes to the Eleven in '11. It's personal and subjective, and darn it, we can't live without these things (or, perhaps it's a thing we'd like to have).
I'll share eleven of mine over the next era, epoch, or eon (however long it takes, there will be eleven entries from yours truly), and just as important, I look forward to hearing about yours! Our respective Eleven in '11 are coeval and equal herein the pages of the ole porkster.
So, here goes:
No. 1.
fountain pens.
Love 'em since high school when mom (lovely mom) gave me my first one. Here are some of the good or more popular ones that I have:
Pelikan
Montblanc
Parker
Shaeffer
Porsche
Namiki
Sailor
Waterman
Faber-Castell
Some mistakenly think that fountain pens are snobbish, and that those with a nice Montblanc in their pocket must be putting on airs. Not so! (Doth he protest too much? He doth.) Or, perhaps that's true for some, but you'll know in an instant when that cap twists off, and the pen is brought into service, if a dandy is prancing around before you with an affectation instead of a real pen. Have I ever played the dancing fool? Perhaps, but that would have been decades ago. Now, they're simply utilitarian. I like 'em well made, inexpensive, with plenty of elan. The old American pens (Parker, Cross, Sheaffer) are work horses, though most are now made in China. The Japanese pens (Sailor, Nimiki) have great nibs and the companies give great service. The German (Lamy, Montblanc, Pelikan) pens last a lifetime and are about function (think Mies Van Der Rohe and "form follows function"). The Italian and French pens are beautiful (Waterman, Dupont, Montegrappa, Aurora) and can be expensive.
But the folks (humble salt of the earth types, reared up here in Shropshire) that I spy with my wicked little eye carrying these badboys around in their jacket pockets tend to be academic or writerly or engineers. Nothing like indelible ink hitting a blank page -- a tabula rasa for dreaming or scheming -- a fresh surface to give birth to some wonderful idea that could change the world, or a funny joke that'll make audience members change their shorts. A man or woman with a fountain pen knows no bounds. They are merciless in crafting their prose or laying out architectural fenestration or editing some lucky bloke's latest opus.
Of course, you must have a decent journal to go with your pen. I carry mine everywhere I go to capture an idea for business, or note taking at church, or remembering a thought on a potential article, or suggesting a new direction on a screenplay I might be working on. Pen and journal especially come in handy when you hear GREAT dialog next to you flowing freely for all to hear at a restaurant or The Coffee Bean or your kid's school.
Faber-Castell
.
There is something about fountain pens that hearkens back to a time when men wrote their letters to the women ("er, woman, Jg. You mean woman.") they loved; and young women at college wrote their betters, that is to say, the parents left behind in that one-horse town, who expected and received a beautifully crafted missive with nary a misspelling ... and both sexes drafted these fine documents via a writing instrument containing a gold nib and an ample ink reservoir, aka, the fountain pen.Some mistakenly think that fountain pens are snobbish, and that those with a nice Montblanc in their pocket must be putting on airs. Not so! (Doth he protest too much? He doth.) Or, perhaps that's true for some, but you'll know in an instant when that cap twists off, and the pen is brought into service, if a dandy is prancing around before you with an affectation instead of a real pen. Have I ever played the dancing fool? Perhaps, but that would have been decades ago. Now, they're simply utilitarian. I like 'em well made, inexpensive, with plenty of elan. The old American pens (Parker, Cross, Sheaffer) are work horses, though most are now made in China. The Japanese pens (Sailor, Nimiki) have great nibs and the companies give great service. The German (Lamy, Montblanc, Pelikan) pens last a lifetime and are about function (think Mies Van Der Rohe and "form follows function"). The Italian and French pens are beautiful (Waterman, Dupont, Montegrappa, Aurora) and can be expensive.
But the folks (humble salt of the earth types, reared up here in Shropshire) that I spy with my wicked little eye carrying these badboys around in their jacket pockets tend to be academic or writerly or engineers. Nothing like indelible ink hitting a blank page -- a tabula rasa for dreaming or scheming -- a fresh surface to give birth to some wonderful idea that could change the world, or a funny joke that'll make audience members change their shorts. A man or woman with a fountain pen knows no bounds. They are merciless in crafting their prose or laying out architectural fenestration or editing some lucky bloke's latest opus.
Of course, you must have a decent journal to go with your pen. I carry mine everywhere I go to capture an idea for business, or note taking at church, or remembering a thought on a potential article, or suggesting a new direction on a screenplay I might be working on. Pen and journal especially come in handy when you hear GREAT dialog next to you flowing freely for all to hear at a restaurant or The Coffee Bean or your kid's school.
These pens can be very expense, that is to say, upwards of a $1,000 or more (There are some ridiculous examples with even higher price tags, but let's focus on an actual pen that we might like to have or use.), but most decent fountain pens can be had from $100 to $300 American.
And, did I mention they make great gifts? I've given these as gifts over the years to at least a dozen friends or more, and they do make an impression. I received one after high school, college, and law school graduation, and I still have all three and know who gave them to me. And some day, my kids already know this, when they get to high school, they can have any one or two of mine.
And, did I mention they make great gifts? I've given these as gifts over the years to at least a dozen friends or more, and they do make an impression. I received one after high school, college, and law school graduation, and I still have all three and know who gave them to me. And some day, my kids already know this, when they get to high school, they can have any one or two of mine.
Up next?
No. 2.
books.